A try at reading book covers and what they could be saying
A try at reading book covers and what they could be saying
Blog Article
Keep reading to find a couple of different concepts associating with the way we see book covers set along the side of their history.
When we buy a book it becomes something extremely personal to us. It can often be strange seeing a book you like with a different book cover, just due to the fact that it is not your book. This personalisation, and indeed ownership, of books was at a totally various level at the dawn of the age of printing, with book covers being developed by the owners themselves, and what they believed would be the best books covers for the book. They would buy the book itself from the printer covered in paper, then bring it to a binder who would add the covers to the client's requirements. This normally suggested being clad in leather and then etched with the name of the book, and, usually, the name of the book's owner. People like the co-founder of the impact investor with a stake in World of Books can probably appreciate the ownership that individuals come to feel in relation to their books.
When you actually think of it, it is quite incredible that a book's cover, no matter how gorgeous it is, is able to stand so eloquently for something that is practically the total reverse of its art format-- writing in white and black. In fact, book covers have been designed to reflect the emotional state of a book and appeal to its intended audience since the advent of big scale publishing in the Victorian Age. Artists were tasked with discovering what makes a good book cover for specific people, or in other words, marketing. People like the CEO of the asset manager that has a stake in Amazon can probably appreciate the role of marketing in developing book covers.
We like checking out books since they are extremely stunning things. This holds true, however the nature of beauty that we might be discussing is definitely separate to what we might be speaking about if we were speaking about, for example, the visual arts. Or is it? For as long as we have actually had books we have actually embellished them with beautiful book cover designs that effort to mirror the charm of what is within. This dates back for as long as the codex itself has actually been around, with middle ages monks, those charged with the defense and replication of the scarce texts that might still be discovered, ornamenting each hand composed text with amazingly abundant and stunning designs. In fact, such was the beauty held within these books that many of these creative book cover designs were carved into ivory or solid gold, studded with gems, and inlaid with rivers of precious metals. Individuals like the co-CEO of the hedge fund that owns Waterstones can most likely value the manner in which the beauty of these book covers was developed to match the beauty within the book.